luxmanL81

denk een deens apparaatje uit de jaren 60 wat staat er op de schaalverdelings dingetje links en recht geschreven

hoe ziet de achterkant eruit ???? type plaatje??

ff elpeetje uit 1974 PREMJATA FORNERJA MARCONI met de elpee the world became the world symfo rock van het

berend brain wilson is van de beach boys heeft ook net wat met sr. mccartney gedaan juni 2004 sept 2004 deze zijn dit jaar uitgebracht

de nieuwe knopfler vind ik persoonlijk wat tegenvallen zkr na regelmatig draaien onderwg in de auto zijn een paar nummers die wat doen allemaal wel beetje het zelfde stijltje dus geen uitspringers als groep dire strait's vond ik het completer,maar ja das vaker als ze solo gaan je mist dan net wat lijkt wel de kwaliteit van de opname op de cd is buitengewoon geod vol geluid te vergelijken met de dvd roger waters in the flesh dust kan wel goed blijkt ...................... en waarom gebeurt dat dan niet met alle cd en dvd's ...die dingen zijn al duur genoeg

deze kwam ik net tegen in de kast c 1996 nou weet ik ook hoe knopfler aan de titel kwam pee es The Rutles is een parodie band op de beatles met mensen van monthy pyton dus gaaf 1 elpee 3 ceedees 1 deeveedee Originally broadcast on network TV in 1978, ex-Monty Python member Eric Idle's satire of the Beatles' legend was one of the very few successful rock parodies; only Spinal Tap, perhaps, has outdone it. One of the key elements of this mock rockumentary was the brilliantly executed soundtrack by Python associate and ex-Bonzo Dog Band member Neil Innes (he also played the character loosely based upon John Lennon in the film itself). As an actual peer of the group in the '60s (the Bonzos even appeared in the Magical Mystery Tour film), Innes was well-qualified to satirize the Fab Four in song. With the exception of Idle, each of the four Rutles played their own instruments on the recording in addition to acting in the film. To complete the gag, the Rutles reconvened in 1996 to record a second album, Archeology, to coincide with the Beatles' Anthology projects. Masquerading as archival material, most of Archeology was in fact newly recorded in the mid-'90s, and was as witty and well-executed as the soundtrack to their TV special nearly 20 years ago.

voor so me teen na tull een bootlegje uit met live concert recorded live in london Paris theatre c 1972 It's Not You van Edgar Broughton Band 1 side by side 5:38 2 call me a lair 10:05 3 poppy 5:58 4 the rake 3:12 5 gone blue 4:34 6 chilly morning momma 4:41 7 i got mad 6:59 8 it's not you 11:51

c 1969 de elpee versie met klap hoes en opkomende poppetjes( bandleden) net op en dan deze maar :

Alco thnks Stevie Ray Vaughan kan ik gelijk mijn cd dvd elpee lijsten bij gaan werken

een kleine greep favo's uit mijn collectie cd's bij mij begon de gekte van muziek in 1960 met de wel bekende T R S en T B lijssie is willekeurig echter wel op alfabetiese volgorde ALANIS MORISSETTE ERIC CLAPTON ELEANOR McEVOY GOLDEN EARRING HEATHER NOVA ILSE DE LANGE JETHRO TULL LED ZEPPELIN LOREENA McKENNITT LYNYRD SKYNYRDS NATALIE MERCHANT NEIL YOUNG PINK FLOYD PRETENDERS STEVE RAY VAUGHAN STEVE MILLER BAND TEN YEARS AFTER TEXAS THE WHO

kon niet slapen dus maar muziek aan en dan deze,naar mijn bescheiden mening zijn beste elpee/cd uit 1969 1 Cinnamon Girl 2:58 2 Everybody Knows This Is Nowhere 2:26 3 Round & Round (It Won't Be Long) 5:49 4 Down by the River 9:13 5 Losing End (When You're On) 4:03 6 Running Dry (Requiem for the Rockets) 5:30 7 Cowgirl in the Sand 10:30

gewoon beide in allebei de technieken zitten onvolkomenheden 1 niet alle elpee's klinken even warm en dynamisch 2 niet alle ceedee's klinken even warm en dynamisch bij alebei heb je af en toe giga opname verschillen and so it is

what to do ???? is what you want yourself... choose the right ( not the right=rechtse )one and be happy cambridge klonk geweldig maar kost 170 euri meer if you can effort it well go for it

had onderlaatst al een Pink floyd week ,maar het blijft bijzonder .... maar week 44 is voor mij de Led Zeppelin week dwz elpee's cd's dvd's heerlijk die zelf gemaakte thema weken bne ook al wat klassieke aan t verzamelen voor de klassieke week in december

ach ja 1 Astronomy Domine 2 Careful With That Axe, Eugene 3 Set the Controls for the Heart of the Sun 4 A Saucerful of Secrets 5 Sysyphus, Pt. 1 6 Sysyphus, Pt. 2 7 Sysyphus, Pt. 3 8 Sysyphus, Pt. 4 9 Grantchester Meadows 10 Several Species of Small Furry Animals Gathered Together in 11 The Narrow Way, Pt. 1 12 The Narrow Way, Pt. 2 13 The Narrow Way, Pt. 3 14 The Grand Vizier's Garden Party: Enterance, Pt. 1 15 The Grand Vizier's Garden Party: Entertainment, Pt. 2 16 The Grand Vizier's Garden Party: Exit, Pt. 3 en dan met name het bizondere The Grand Vizier's Garden party met de gaande trommels en de komende fluit "UMMAGUMMA"dus

dis ook een giga tuner als je die tegenkomt 2e hans... of deze gelijk kopuh !!!!!

vriendin had dit door de bus gedaan vanmiddag briefje erbij :luister maar is lief heh!!! benk dus nu aant doen....

Nog net effe voor het slapen gaan for keeping the memories on,of some songs ......

de keuze uit mijn 588 elpee's eignlijk de eerste soort bootleg elpee die officieel werd uitgebracht in 1973 ( gewoon de opname rechtstreeks op de elpee,zonder mixen bijschaven en zo ) dus eigenlijk 31 jaar later nog indrukwekkend Tracks 1 One of These Days Lee 6:26 2 You Give Me Loving Lee 6:02 3 Good Morning Little Schoolgirl Williamson 7:36 4 Help Me Bass, Williamson, Williamson 11:06 5 Classical Thing Lee :55 6 Scat Thing Lee :54 7 I Can't Keep from Crying, Sometimes Kooper 9:04 8 I Can't Keep from Cryin' Sometimes Lee 3:38 9 I Can't Keep from Cryin' Sometimes Lee 3:15 10 Silly Thing Lee :54 11 Slow Blues in 'C' Lee 7:52 12 I'm Going Home Lee 11:40 13 Choo Choo Mama Lee 3:11

even snuffelen in de elpee kast en zie een dubbel elpee uit 1971 heerlijk om de avond mee te beginnen

even om collega te horen de links (zeer) handige gitarrist and Erik Sprooten (a Dutchman) for the sessions to their third L.P., 1998's Fatherland. And the Hordes Stood as One gewoon gaaf op zijn tijd evenals de dvd .................... and so it is a good performance of rock and heavy metal

heb gevonde in de cd kast aangenaam barok uit '92 en aangenaam barok plus uit '93 dat staat dus op nu de '92 tiger cd

zij is super en nog steeds leuk ook !!!! ( ome henk) Recorded live at Bercy, Paris, April 2001 : In Demand Black Eyed Boy Halo In Our Lifetime Guitar Song Insane Tired of Being Alone So In Love With You Prayer For You I Don't Want A Lover When We Are Together Summer Son Inner Smile Suspicious Minds Say What You Want Videoclips : In Demand Black Eyed Boy Halo In Our Lifetime Tired of Being Alone So In Love With You Prayer For You I Don't Want A Lover When We Are Together Summer Son Inner Smile Say What You Want Summer Son at Madonna Show in Brixton Academy Interview with Sharleen Hidden tracks on DVD : Say What You Want (All Day Every Day) live at the Brit Awards Special live videos from Guitar Song, Insane and So In Love With You 2001

was nu opeens voor

Lucinda williams c 2001 ook maar ff een plaatje en een klein verhaaltje erbij dan...... Biography by Steve Huey The object of cultish adoration for years, singer/songwriter Lucinda Williams was universally hailed as a major talent by both critics and fellow musicians, but it took quite some time for her to parlay that respect into a measure of attention from the general public. Part of the reason was her legendary perfectionism: Williams released records only infrequently, often taking years to hone both the material and the recordings thereof. Plus, her early catalog was issued on smaller labels that agreed to her insistence on creative control but didn't have the resources or staying power to fully promote her music. Yet her meticulous attention to detail and staunch adherence to her own vision were exactly what helped build her reputation. When Williams was at her best (and she often was), even her simplest songs were rich in literary detail, from her poetic imagery to her flawed, conflicted characters. Her singing voice, whose limitations she readily acknowledged, nonetheless developed into an evocative instrument that seemed entirely appropriate to her material. So if some critics described Williams as "the female Bob Dylan," they may have been oversimplifying things (Townes Van Zandt might be more apt), but the parallels were certainly too strong to ignore.Williams was born in Lake Charles, LA, on January 26, 1953. Her father was Miller Williams, a literature professor and published poet who passed on not only his love of language, but also of Delta blues and Hank Williams. The family moved frequently, as Miller took teaching posts at colleges around Louisiana, Mississippi, Georgia, Arkansas, and even Mexico City and Santiago, Chile. Meanwhile, Lucinda discovered folk music (especially Joan Baez) through her mother and was galvanized into trying her own hand at singing and writing songs after hearing Dylan's Highway 61 Revisited. Immersed in a college environment, she was also exposed to '60s rock and more challenging singer/songwriters like Leonard Cohen and Joni Mitchell. She started performing folk songs publicly in New Orleans and during the family's sojourn in Mexico City. In 1969, she was ejected from high school for refusing to say the Pledge of Allegiance, and she spent a year working her way through a reading list supplied by her father before leaving home.Williams performed around New Orleans as a folk artist who mixed covers with traditional-styled originals. In 1974, she relocated to Austin, TX, and became part of that city's burgeoning roots-music scene; she later split time between Austin and Houston, and then moved to New York. A demo tape got her the chance to record for the Smithsonian's Folkways label, and she went to Jackson, MS, to lay down her first album at the Malaco studios. Ramblin' on My Mind (later retitled simply Ramblin') was released in 1979 and featured a selection of traditional blues, country, folk, and Cajun songs. Williams returned to Houston to record the follow-up, 1980's Happy Woman Blues. As her first album of original compositions, it was an important step forward, and although it was much more bound by the dictates of tradition than her genre-hopping later work, her talent was already in evidence.However, it would be some time before that talent was fully realized. Williams flitted between Austin and Houston during the early '80s, then moved to Los Angeles in 1984, where she started to attract some major-label interest. CBS signed her to a development deal in the mid-'80s but wound up passing since neither its rock nor its country divisions knew how to market her; around the same time, a short-lived marriage to drummer Greg Sowders dissolved. Williams eventually caught on with an unlikely partner