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Welke muziek staat er nu op (part 4) ???


Ome Henk
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Ik heb prince aangezet.

 

B00004T8WB.03.LZZZZZZZ.jpg

 

't is een schitterende DVD.

Een hoop kopstukken uit de muziek komen prince een paar nootjes helpen.

Morris Day - Rosie Gaines - Lenny Kravitz - George S. Clinton - Maceo Parker - Larry Graham.

 

't klinkt allemaal heel goed maar dat gefluit en geschreeuw van 't publiek is en blijft storend.

 

Heeft iemand "Live at Pompei" (pink Floyd) op dvd al gezien/gehoord?

 

Hoe is ie?

 

Groeten Simon

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Geplaatst door Frankie:

 

Als dit al onder de categorie "moeilijk" valt, nee ik vindt het juist lekker luchtig, niks zware kost!

  :D Fijne muziek!   :D

 

Moeilijk is misschien het foute woord, maar je kan er zeg maar niet "half" naar luisteren, je moet er echt bezig mee zijn, anders wordt het niets :)

 

Nu staat op:

 

e940426wslv.jpg

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Op dit moment staat op: ...even niets :D

 

Maar over circa 1 uur, na waarschijnlijk even 10 minuten door de regen te hebben gefietst, staat deze dame, zo'n 3 meter voor me, live te zingen.

 

jancover

 

>Jan James<

(bluesy-rock achtige muziek from the US)

 

Groeten,

Alco :)

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Geplaatst door Alco:

Op dit moment staat op:  ...even niets  

 

Maar over circa 1 uur, na waarschijnlijk even 10 minuten door de regen te hebben gefietst, staat deze dame, zo'n 3 meter voor me, live te zingen.

 

   

 

We hebben hier weinig regen,

maar anders had ik er ook door gegaan voor zo'n smoeltje :D ahuuum,zangeres :rolleyes:;)

 

Bij mij,zonder regen;

 

 

e87571osxan.jpg

 

Jerry Jeff Walker-----Live at Gruene Hall

 

Tja,je moet wat zo zonder Witte Bal :(;)

 

Een mooie live recording,zoals het eigenlijk altijd hoort!

 

Hier de recentie,en zoals gewoonlijk,een puike!

Een mooi album,als je van het gerne houd tenminste ;)

 

 

Live from Gruene Hall is an excellent return to form from Jerry Jeff Walker. Running through a selection of new songs, Walker is accompanied by a tight version of the Lost Gonzo Band, who help turn these performances into little gems. The hit singles "I Feel Like Hank Williams Tonight," "The Pickup Song" and "Trashy Women" only are the tip of the iceberg. It's may be a live album, but Live from Gruene Hall is arguably one of the best records Walker ever made. Of special note is a brief vocal cameo by Willie Nelson. — Thom Owens

 

Heb ik wat teveel gezegd?

 

--Hans.

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Geplaatst door The Koosjer connection:

 

Vreemd,

was mij nog niet opgevallen...  :D

 

Ze staan in een aparte kast en dus kom je er niet zovaak bij.

Maar als ik eenmaal de route weer heb gevonden,tsja, dan pluk je er maar weer eens wat uit.

 

Dus na mevrouw Nicks nu deze maar weer eens op de draaitafel.

 

f55591vh5g6.jpg

 

Ook MFSL ;)

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We hebben hier weinig regen,

maar anders had ik er ook door gegaan voor zo'n smoeltje  ahuuum,zangeres

Haha, ahaa... nou, ik kan je verzekeren Hans... deze foto is 1 van de weinigen waar ze wel mooi op staat hoor.

In real life is 't niet echt zo'n schoonheid hoor :rolleyes:

 

Zie deze foto die ik vanavond nog van d'r genomen heb :D

 

janjames_2.JPG

 

Maar ze is wel heel leuk en spontaan, en o,o,ooh wat een strot heeft dat mens zeg! janjames.JPG

 

janjames_1.JPG

 

Groeten,

Alco

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Een sterk debuut van deze nieuwe singer/songwriter ala Mellencamp...

dus...Roots-rock/altn.country/americana enz. :D

 

Echt nieuw f74714xt49y.jpg

 

It's ironic that Todd Snider's first radio exposure would come from a song included on his debut as an afterthought and contained as a "hidden" track. "Talking Seattle Grunge-Rock Blues" is reminiscent of early Dylan, hilarious in its satire as a clever dose of good-natured pokes at the industry hype surrounding the Seattle music scene (including references to Eddie Vedder and Nirvana). Although he is a very talented songwriter with a keen wit, at times Snider is just a little too consciously contrived for his own good, threatening to reduce his art to novelty. For instance, the extremely countrified "My Generation, Pt. 2" and the Mellencamp-esque "Alright Guy" are very humorous observations, but dangerously close to sounding trite, especially when compared to the seriousness of the chilling "You Think You Know Somebody," which deals with the ramifications of child abuse. A rootsy record that combines country and folk elements with a genuine rock & roll sensibility, Songs for the Daily Planet also features some cutting fretwork by one of Nashville's finest young guitarists, Eddy Shaver, the son of country outlaw Billy Joe Shaver, one of Snider's heroes. Overall a fine introduction to a remarkable voice. — Jack Leaver

 

Een goed verstaander heeft hier wel genoeg aan :D

 

--Hans.

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Nu staat een album op wat ik zelden draai om 'm zo " krispie "als mogelijk te houden.

Nu gaan ik wel heel erg mooie muziek luisteren die alle tijds-grenzen wegvaagd,velen hebben dan ook zijn nummers ge-coverd.

Het bevat al zijn recordings voor het label Verve in de jaren '60[bijna 132 min.]

 

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Tim Hardin--Hang on to a dream/The Verve recordings

 

Hier de biografie van de man van AMG-Music:

 

A gentle, soulful singer who owed as much to blues and jazz as folk, Tim Hardin produced an impressive body of work in the late '60s without ever approaching either mass success or the artistic heights of the best singer/songwriters. When future Lovin' Spoonful producer Erik Jacobsen arranged for Hardin's first recordings in the mid-'60s, Hardin was no more than an above-average white blues singer, in the mold of many fellow folkys working the East Coast circuit. By the time of his 1966 debut, however, he was writing confessional folk-rock songs of considerable grace and emotion. The first album's impact was slightly diluted by incompatible string overdubs (against Hardin's wishes), but by the time of his second and best LP, he'd achieved a satisfactory balance between acoustic guitar-based arrangements and subtle string accompaniment. It was the lot of Hardin's work to achieve greater recognition through covers from other singers, such as Rod Stewart (who did "Reason to Believe"), Nico (who covered "Eulogy to Lenny Bruce" on her first album), Scott Walker (who sang "Lady Came From Baltimore"), Fred Neil ("Green Rocky Road" has been credited to both him and Hardin), and especially Bobby Darin, who took "If I Were a Carpenter" into the Top Ten in 1966. Beleaguered by a heroin habit since early in his career, Hardin's drug problems became grave in the late '60s; his commercial prospects grew dimmer, and his albums more erratic, although he did manage to appear at Woodstock. His end was not a pretty one: due to accumulated drug and health problems, as well as a scarcity of new material, he didn't complete any albums after 1973, dying of a drug overdose in 1980.

 

*********

 

En hier die van CD-NOW.

Editorial Reviews

Amazon.com

An introspective, obsessive artist, Tim Hardin wrote songs that many better-known singers turned to--Marianne Faithfull, Astrud Gilberto, Rod Stewart, Johnny Cash; likewise his "If I Were a Carpenter" has become a virtual standard--but Hardin's own versions are uniquely moving and must be heard. His confessions are soaked in a hieratic, trembling moan, a soft piano or guitar, a keen way of seeing inside every line, and jazz- and blues-influenced phrasing (Hardin sounds like a more urgent, haunted Mose Alison). The Verve collection captures nearly all the great songs, and the visceral pain and illuminating wisdom that was Hardin's genius. --Roy Francis Kasten

 

an essential collection, March 20, 2002

Reviewer: stephen f mulcahy (see more about me) from massachusetts United States

this 2 cd set includes hardin's work for verve records, a sixties label that also featured some of the " bosstown sound" acts, as well as luminaries like the velvet underground and the blues project, among others. the second cd consists of outtakes and hardin's not so great tim hardin 4 album. it's alright, but nothing special

the first cd contains numerous classics. the man's work has been covered by bobby darin, the four tops, scott walker, robert plant, rod stewart, the small faces, the psychedelic band gandalf, zz top's frank beard and dusty hill's early outfit american blues, and numerous others. this shows how highly regarded hardin's work was by his contemporaries, bob dylan apparently claimed that hardin was either THE, or one of the, country's greatest living songwriters.

hardin's work is a model of simplicity, and that's why so much of his material is so great. his plaintive, yet powerful vocals are another testament to the importance of the material. this first cd is chock full of classic tunes. many of the best tunes can also be found on the various best of compilations out there, this 2 cd set is for big hardin fans. people with a mild interest in the singer would probably be better off buying a cheaper and briefer disc to start out with.

hardin isn't really a folk singer, his stuff is more jazzy and bluesy. his phrasing is excellent. there are too many classics to list,suffice it to say that the first two hardin records, tim hardin 1 and 2, are simply essential. the song i'm into lately are two that don't show up too often on best of hardin releases: never too far and part of the wind, from his debut. his work will be appreciated by those who like brevity ( most cuts are under three minutes, and many under two!), vocal clarity, and melancholy ballads with a jazzy flavor. little of this is topical, hardin was apparently rather apolitical. hardin is yet another musician who is more appreciated today than at the time, it's too bad he never had any real prolonged success in terms of reaching a large audience. sadly, hardin died in 1980, leaving us these two beautiful early recordings to remember him by.

 

 

IT'LL NEVER HAPPEN AGAIN, November 17, 2000

Reviewer: hodge31 from nottingham, notts United Kingdom

and it it just might not, worth the admission fee for two versions of the above title which remains a haunting beautiful ballad. Tim Hardin has touched everyone and his influence runs deeper than most, listening to disc one confirms this with Red Balloon, Black Sheep Boy,Reason To Believe, all popular covers these days by luminaries such as Paul Weller and Dr Robert. Buy it as an lntroduction to the man, like I did, or as a completist, either way just buy it!!

 

 

exotic when listened to in norwich, england..., January 26, 1999

Reviewer: An Amazon.com Customer

On the John Peel show in October, British band Quickspace led by the lo-fi king Tom Cullinan did a cover of Tim Hardins' "If I were a Carpenter." faster and repetitive in the Quickspace kinda way, It got me interested in checking out Hardin - so I did. Hang on to a dream is the perfect way into the world of Hardin, this twists my telescope.

 

 

An original singer-songwriter, May 14, 1998

Reviewer: A music fan from Woodbury, CT

A lot of people think of James Taylor as the original confessional singer-songwriter. Tim Hardin preceeded him by a number of years. Hardin is probably best known for "If I was a Carpenter" though surely not his version. Hardin's first two albums are classics, to my mind, of songrwriter's bearing their souls. Songs like "Reason to Believe" still haunt me. Besides anyone who can say everything they need to say on a topic in less than two minutes, as Hardin did on nearly all of his songs, is truely in search of the perfect song. This collection includes all of Hardin's great songs, and many that are only near great.

 

Genoeg gelult nu,luisteren maar! :D

--Hans.

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