D van der Deijl Posted 8 augustus 2005 Report Share Posted 8 augustus 2005 Was Brian Jones al voorbij gekomen? Barry White ook nog niet gezien. Link to comment Share on other sites More sharing options...
tito Posted 8 augustus 2005 Report Share Posted 8 augustus 2005 Brian stond er al tussen. Maar Barry was hear idd nog niet gezien. Net zo min als Wim Bieler. Link to comment Share on other sites More sharing options...
Sebastiaan de vries Posted 8 augustus 2005 Report Share Posted 8 augustus 2005 Jaco Pastorius Beste Mordante, Eindelijk iemand die deze grootheid noemt. Vanaf dag een mijn inspiratie en idool geweest om bas te gaan spelen. Zoals Jaco was is niemand. Jaco heeft dingen uitgevonden op de bass die niemand eerder wist. buiten een wereldbassist (de beste ooit geweest) ook een geniale componist. Zijn tijdloze melodieen zullen nog altijd voortvloeien in de jazz/fusion scene. Ik vind het nog steeds verschrikelijk dat ik deze grootheid nooit live heb kunnen meemaken. Groeten, Bas Link to comment Share on other sites More sharing options...
Guest Hubertinus Posted 8 augustus 2005 Report Share Posted 8 augustus 2005 @Bas, de "beste" bestaat niet. Hubertinus Link to comment Share on other sites More sharing options...
Sebastiaan de vries Posted 8 augustus 2005 Report Share Posted 8 augustus 2005 @Bas, de "beste" bestaat niet. Hubertinus In mijn optiek wel. Er is nooit meer een bassist geweest die zijn innovativiteit had. Nooit meer ene bassist die die groove en manier van spelen had. Voor MIJ is en blijft ie de beste. Groeten, Bas Link to comment Share on other sites More sharing options...
Scat-Man Posted 9 augustus 2005 Report Share Posted 9 augustus 2005 Ik vind het nog steeds verschrikelijk dat ik deze grootheid nooit live heb kunnen meemaken. Groeten, Bas Een maal in een anarchistisch Rotterdams Jazzpodium: Thelonious . Het was genant en de muzikant was niet toonbaar ( dope) Wees blij dat je `t niet gezien hebt. Link to comment Share on other sites More sharing options...
Sebastiaan de vries Posted 9 augustus 2005 Report Share Posted 9 augustus 2005 Ik vind het nog steeds verschrikelijk dat ik deze grootheid nooit live heb kunnen meemaken. Groeten, Bas Een maal in een anarchistisch Rotterdams Jazzpodium: Thelonious . Het was genant en de muzikant was niet toonbaar ( dope) Wees blij dat je `t niet gezien hebt. Beste Scat-man, Ja het is heel triest hoe Jaco er op het laatst bijstond. Heb nog enkele les video's gezien met hem, die eienlijk al niet meer konden Stond te trippen op zijn benen. Op het laatst smijt ie zijn Fender jazzbass naar de drummer. Zelfde soort gezien met Steve Gadd. Totaal strak van de drugs moet ie een lesvideo in elkaar zetten. Zit ie daar in zo'n vaag gewaad whahwah Geloof dat steve gadd wel van de drugs af is voerigens.. Groeten, Bas Link to comment Share on other sites More sharing options...
Scat-Man Posted 10 augustus 2005 Report Share Posted 10 augustus 2005 On August 10 in 1918, Arnett Cobb was born. He was an African-American jazz tenor saxophonist. From Houston, Texas, Arnett Cleophus Cobb was taught piano by his grandmother and went on to study violin before taking up tenor saxophone in the high school band. When he was fifteen he joined Louisiana band leader Frank Davis's band doing shows in Houston and throughout Louisiana during the summer. He worked with trumpeter Chester Boone for two years and left to play with Milton Larkin in 1936. Cobb played with Larkin's band for six years while it toured the country; its clubs included the Apollo Theatre in Harlem and the Rhumboogie Club in Chicago owned by boxer Joe Louis. Cobb turned down an offer from Count Basie in 1939 but in 1942 accepted an offer from Lionel Hampton to take Illinois Jacquet's seat. Although his fans doubted that anyone could successfully replace Jacquet, within a short time Cobb became as popular. Hampton rerecorded his theme song, Flying Home No. 2, with Cobb as the featured soloist, and the excitement brought out by his uninhibited, blasting style earned him the label "Wild Man of the Tenor Sax." He was a major player in the Hampton band for five years. He left Hampton in 1947 and formed his own small group, which recorded a series of singles, including the hits Dutch Kitchen Bounce, Big Red's Dreams, and When I Grow Too Old to Dream. After only seven months on the road Cobb was forced to disband the group and undergo spinal surgery and a long hospital stay because of Pott's disease, a tubercular condition of the vertebrae. He recovered and reorganized his group in 1950 and resumed touring in 1951. In 1956 he became permanently disabled as a result of a car crash. Doctors advised against it, but a year later he was performing coast to coast, although from this time on, he could not walk without crutches. In 1959, Cobb moved from New Jersey back home to Houston permanently. From 1960 onwards he managed Club Ebony, performed locally with his own band and with other famous jazz performers, and toured to New York and Europe, all between stints in the hospital. Cobb received a Grammy nomination in 1979 for best jazz instrumental performance and shared a Grammy with B. B. King in 1984 for best traditional blues performance. In 1986 he founded the Jazz Heritage Society of Texas, which established the Jazz Archives at the Houston Public Library. Arnett Cobb died in Houston on March 24, 1989, and was survived by his daughter. Reference: All Media Guide Link to comment Share on other sites More sharing options...
Scat-Man Posted 10 augustus 2005 Report Share Posted 10 augustus 2005 Ik vind het nog steeds verschrikelijk dat ik deze grootheid nooit live heb kunnen meemaken. Groeten, Bas Een maal in een anarchistisch Rotterdams Jazzpodium: Thelonious . Het was genant en de muzikant was niet toonbaar ( dope) Wees blij dat je `t niet gezien hebt. Beste Scat-man, Ja het is heel triest hoe Jaco er op het laatst bijstond. Heb nog enkele les video's gezien met hem, die eienlijk al niet meer konden Stond te trippen op zijn benen. Op het laatst smijt ie zijn Fender jazzbass naar de drummer. Zelfde soort gezien met Steve Gadd. Totaal strak van de drugs moet ie een lesvideo in elkaar zetten. Zit ie daar in zo'n vaag gewaad whahwah Geloof dat steve gadd wel van de drugs af is voerigens.. Groeten, Bas Misschien vindt je dit leuk? Jazz Critique Special Edition -- Issue 118 -- We Love You Jaco . . . Book . . . $11.99 (Item: 357744) Jazz Critique (Japan), 2004 Condition: New Copy A tribute to the late, great bassist -- with essays on his music in Japanese, as well as a host of great photos, album covers, session details, and a very helpful discography that shows the wide range of albums that featured his music! As always with Jazz Critique, even if you can't read the language, there's plenty of universal jazz information here -- always helpful, and really offering a much-needed look at the player's recordings! The rest of the magazine features more reviews and features -- also in Japanese -- but with some helpful details about each record in English! Link to comment Share on other sites More sharing options...
tito Posted 10 augustus 2005 Report Share Posted 10 augustus 2005 Geloof dat steve gadd wel van de drugs af is voerigens.. Das mooi. Maakt tie minder snel kans om in dit draadje terecht te komen. John Balance (Geoff Rushton). `62 - `04. Van de trap gevallen. Link to comment Share on other sites More sharing options...
The Koosjer connection Posted 10 augustus 2005 Report Share Posted 10 augustus 2005 Ook gestruikeld...... --Hans. Link to comment Share on other sites More sharing options...
tito Posted 10 augustus 2005 Report Share Posted 10 augustus 2005 Ook gestruikeld...... Wie weet? Link to comment Share on other sites More sharing options...
Scat-Man Posted 11 augustus 2005 Report Share Posted 11 augustus 2005 De man die puur op zijn gevoel speelde Link to comment Share on other sites More sharing options...
oematoema Posted 11 augustus 2005 Report Share Posted 11 augustus 2005 1940 - 1993. Prettig gestoord en Link to comment Share on other sites More sharing options...
spido Posted 15 augustus 2005 Report Share Posted 15 augustus 2005 Andr Link to comment Share on other sites More sharing options...
Scat-Man Posted 15 augustus 2005 Report Share Posted 15 augustus 2005 Francy Boland Discografie: The Recordings of The Kenny Clarke & Francy Boland Big Band Link to comment Share on other sites More sharing options...
spido Posted 16 augustus 2005 Report Share Posted 16 augustus 2005 Oscar Peterson? Don't you call him dead befo' his time! Louis Armstrong, Nat "King" Cole, Dorothy Dandridge, Kid Ory, Bunk Johnson, Johnny Ray, Bram Vermeulen, Jules de Corte, Jerry "Roll" Morton, Benny Goodman, Sidney Bechet, Clarence Williams, Lill Harding, Herman Schoonderwalt, Wessel Ilcken, Pim Jacobs, Joe "King" Oliver, John Denver, Johnny Cash, Robert Johnson, Jack Dupree, Wim Sonneveld, Jan Blok, Keith Richards, Ray Charles, Bessie Smith, Ida Cox, Billie Holiday, Jack Teagarden, Ella Fitzgerald, Art Tatum, Dizzy Gillespie, Count Basie, Duke Ellington, Roy Eldridge, Stan Getz, Charlie Parker, Johnny Hodges, Glenn Miller, Benny Goodman, Stan Kenton, Niels-Henning Link to comment Share on other sites More sharing options...
JazzLuva Posted 16 augustus 2005 Report Share Posted 16 augustus 2005 Oscar Peterson? Don't you call him dead befo' his time! ............Keith Richards.......... likewise Link to comment Share on other sites More sharing options...
spido Posted 16 augustus 2005 Report Share Posted 16 augustus 2005 Ja, sorry Keith... je hebt gelijk, JazzLuva! 't Was Brian Jones, die in 't zwembad dobberde. ('k Was zelf ook niet helemaal helder, toen...) Link to comment Share on other sites More sharing options...
Scat-Man Posted 16 augustus 2005 Report Share Posted 16 augustus 2005 Oscar Peterson. Dat was een zeer slordige posting van mij. Link to comment Share on other sites More sharing options...
tito Posted 16 augustus 2005 Report Share Posted 16 augustus 2005 ('k Was zelf ook niet helemaal helder, toen...) Vraag me af of dat sinds toen al verbeterd is. Brian staat nl op page 2 van deze draad. Met Gibson Firebird (6). Link to comment Share on other sites More sharing options...
D van der Deijl Posted 16 augustus 2005 Report Share Posted 16 augustus 2005 Waren Roy Orbisson en Carl Perkins en Johnny Cash al voorbij gekomen? Allemaal SUN label artiesten waar er nog maar eentje van in leven is ( nou ja in leven) namelijk Jerry Lee Lewis. Link to comment Share on other sites More sharing options...
joopus Posted 16 augustus 2005 Report Share Posted 16 augustus 2005 Ja, sorry Keith... je hebt gelijk, JazzLuva! 't Was Brian Jones, die in 't zwembad dobberde. ('k Was zelf ook niet helemaal helder, toen...) je had toen misschien betere idee Link to comment Share on other sites More sharing options...
spido Posted 16 augustus 2005 Report Share Posted 16 augustus 2005 (...) Vraag me af of dat sinds toen al verbeterd is. Brian staat nl op page 2 van deze draad. (...) Vrij chaotisch, hoor! Ik had toch al gezegd dat ik meende dat 't Keith Richards was, daar in dat zwembad? Nou, di Link to comment Share on other sites More sharing options...
Scat-Man Posted 17 augustus 2005 Report Share Posted 17 augustus 2005 On August 17 in 1917, John Lee Hooker was born. He is an African-American blues singer and pioneer of the art form. The Hook (as he is sometimes called) was a Clarkdale, Mississippi native. His stepfather, Will Moore, planted the beginnings for his eerily mournful guitar sound while John Lee was in his teens. Hooker had been singing spirituals before that, but the blues took hold and never let go. Traditional symbols left their mark on the style in youth, too; legends like Blind Lemon Jefferson, Charley Patton, and Blind Blake, who all knew Moore. Hooker tried out Memphis while he was still in his teens, but he couldn't gain much of a foothold there. So he relocated to Cincinnati for seven years before making the big move to the Motor City in 1943. Here he became one of the best on the Detroit blues circuit following World War II. Work was plentiful, but Hooker drifted away from day gigs in favor of playing his unique free-form brand of blues. A mushrooming club scene along Hastings Street played in favor of his talents. In 1948, an aspiring Hooker with entrepreneur Bernie Besman, who helped him produce his solo debut releases, Sally Mae and Boogie Chillen. This was blues as primitive as anything then on the market; only his own ringing, heavily amplified guitar and insistently pounding foot backed Hooker Link to comment Share on other sites More sharing options...
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