Toppers van toen...

[Arden]

Vond nog wat oudere types van Manley, moet ook niet verkeerd zijn geweest...

 

 

 

...ook een leuke luidspreker (wat komt die unit me bekend voor)...

 

[Arden]

Vandaag kwam ik een site vol met oude Sansui versterkers tegen. En alweer dat gevoel van ''Oh, oh, oh!''

 

Sansui BA 5000 (2 x 300 Watt !!)

 

 

Sansui CA 2000

 

 

En de bijpassende tuner...

 

Sansui TU 9900

 

Met dit soort apparatuur kan het ook nog een dure hobby worden, de eindtrap moet in goede staat nog tot $ 2000 opleveren, de voortrap zo'n $ 350, en de tuner tot $ 800...

[PD]

Hallo Arden,

 

Die voortrap heb ik! De rest zou ik ook graag in mijn bezit willen hebben..

 

mvg, PD

[PD]

Nog even een paar toppers..

 

Pioneer Exclusive monoblokken

 

Yamaha

 

Onkyo (bas, hoe heb je hem weg kunnen doen..)

 

mvg, PD

[Satch]

Zag een stukje terug een Oracle Delphi met een Air Tangent arm. De eerste en enige keer dat ik die heb gehoord was op een luistershow in Utrecht jaren terug. Element was een Ortofon mc, versterking van Accuphase (oa vier M-1000 mono's) en als luidsprekers een paar Tympani IV. Nog nooit zoiets gehoord. Ze draaiden Stevie Ray Vaughn met 'Couldn't stand the weather' en het was verbluffend. Thuis had ik die plaat ook, maar het klonk toch anders op mijn toenmalige Thorens TD 166 met een Ortofon element, de Cyrus One en een paar 'enorme' Celestion 3's. Het is daarna ook nooit meer goed gekomen met me......

[RobT]

[Scat-Man]

London Decca Jubilee

 

How and why is this cartridge different from, and possibly superior to all the others?

 

Is it a "moving coil" or a "moving magnet" design? Neither! Only a lighter, thinner shorter, magnetically active metal foil, bearing the stylus, comprises the entire moving system. This results in lower moving mass than either moving coil or moving magnet models.

 

The London Decca cartridges may be the only ones which have no cantilever, in the conventional sense. This appears to be the underpinning of their stunning success- it has been said that the London Deccas "reek of musicality."

 

Other cartridges (both moving coil and moving magnet) mount their styli on the long end of a thin tube (cantilever) which works like a lopsided "see-saw." The short end of the cantilever attaches to either a coil of wire or a magnet. At the fulcrum point, a flexible "rubbery" sleeve functions as a pivot, allowing the stylus/cantilever assembly to respond to the "wiggles" in the LP groove. Because the front section of the cantilever, which holds the stylus, is much longer than the rear section which is attached to the coil or magnet, a large movement of the stylus is transformed to a smaller movement at the coil or magnet, possibly causing cantilever-design cartridges to sound dynamically compressed and lacking in transient attack. London Decca's engineers advise that this problem with dynamics and transients is compounded by the cantilever's "rubbery" fulcrum point which tends to absorb a significant amount of the stylus-generated motion, before it can reach the coil/magnet electrical generator assembly. Also, a smearing of the sound is said to occur, which they refer to as "cantilever haze."

 

But in the London Decca, there is no long cantilever and no "rubbery" fulcrum point to absorb, dissipate and smear the vital musical energy. Instead, the stylus is attached directly to a magnetically active, metal support just a few microns thick (armature) which passes through the center of the main generating coil-positioned only about 1 millimeter above the stylus! The stylus motion is not inverted or "transformed" to a smaller value, as in long cantilever designs. Flowing from this immediate- positive-direct scanning of the groove is a breathtaking "alive" quality. The listener tends to feel that the performing artists are actually in the same room, with a startling, palpable presence.

 

 

 

 

From the beginning, music lovers have lauded the unparalleled vividness of the London Deccas which were first introduced over 25 years ago. However, earlier models were criticized, at times, for such reasons as their unusually high vertical tracking force, a tendency to mistrack, and the need for special (damped) tone arms.

 

The new London Decca Jubilee has retained and enhanced the legendary musical realism of its predecessors, but also achieves "world-class" tracking ability, at only 1.8 grams (VTF). A damped tone arm is not necessarily required, and unlike most high quality moving-coil designs, the electrical output level of the London Decca Jubilee is among the highest- 5mV, needing no pre-preamp or step-up transformer.

 

The London Decca Jubilee is individually hand crafted, using coils wound of oxygen-free copper conductors and high flux samarium cobalt magnets. Its cartridge body is machined by computer from a solid block of aluminum, and shaped to hold the motor assembly and the polished, natural grain--oriented, line contact diamond stylus with absolute precision. This acoustically inert cartridge body contributes to the Jubilee's low-coloration music reproduction.

 

LONDON DECCA ARE THESE THE WORLD'S BEST PHONO CARTRIDGES?

Experienced reviewers have stated unequivocally that no other cartridge in the world can match the London Decca's head-spinning musical realism. Another claims it sets an example for all other cartridges (presumably, including more costly ones), in the area of dynamics, rhythm, pacing and timing.